![]() Disclosure’s signature style and tone are evident throughout the whole album, and while each track differs, they all remain innovative to the scene of popular electronic music and unique to their retro sound. With preview after preview, each one being catchier than the last, Disclosure has revealed a piece of work that, much like the recent Daft Punk release, has brought life back to music. Album DescriptionThe new DISCLOSURE album is finally here! The UK duo, made up of brothers Guy and Howard Lawrence, have exceeded expectations on this release. See More Your browser does not support the audio element. That said, any purist who denies its abundance of pleasures is a crank. ![]() Considering all the shrewd alliances and its polished attack, Settle seems like it was designed to be 2013's acceptable dance album. London Grammar's Hannah Reid has the unenviable task of following Doolittle, Jamie Woon, and Jessie Ware but delivers one of the most heartrending leads on "Help Me Lose My Mind." Like the closing songs on the first three Basement Jaxx albums, the song initially comes across as an insignificant finale but gradually bubbles to the top as a discreet highlight. Teenaged Sasha Keable sounds wise beyond her years on "Voices," one of the album's deeper house tracks ("I tried to dismiss what you taught me"). Howard Lawrence's lead turn on "F for You" approaches the sweetness of Scritti Politti's Green Gartside. The sluggish "Second Chance," where a downcast Kelis line dissolves into mush, and the rattling "Grab Her!" - its refrain pinched from Slum Village - are no match for past sample-heavy delights like "Carnival," "Flow," or "What's in Your Head." The new vocal cuts are either near the level of the hits or are merely pleasant. Few tracks, however, will appease those who bemoaned the duo's departure from relying on sampled and treated vocals. Without them, the album would still be generous. ![]() pop chart: the soaring shuffle-tech of "Latch" (with a bursting, almost overdone lead from Sam Smith), the undeniable crossover house track "White Noise" (a perfectly timed partnership with upcoming duo AlunaGeorge), and the rush-inducing so-called future garage of "You & Me" (featuring Eliza Doolittle, something of a sequel to their fine remix of Jessie Ware's "Running"). Between October 2012 and April 2013, the duo released a trio of singles that fared no worse than number 11 on the U.K. The Lawrences began humbly with MySpace uploads of scruffy, sampling-enhanced dubstep tracks, but they quickly accelerated to making lustrous, impeccably assembled tracks with varied vocalists. Buy the album Starting at 11.79€Ĭunning if not particularly novel synthesists, Surrey's Guy and Howard Lawrence draw from several styles and sub-styles of dance music - house, garage, dubstep, bass - and add pop appeal on Settle, their first album. Purchase and download this album in a wide variety of formats depending on your needs. ![]()
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